My artistic research stems from a desire to investigate the human condition through the traces we leave behind: gestures, sounds, silences and objects.At the centre of my practice is the concept of the “sonic act”—understood not merely as an acoustic phenomenon, but as a primal expression of human existence. It is a gesture that gives rhythm to time and shape to memory.

Sound therefore becomes matter, while matter, in turn, preserves sound like an invisible yet tangible echo.Through sculpture and drawing, I develop a visual language that translates vibration into volume and memory into physical presence. Musical instruments embedded within materials, elongated rhythmic forms, unstable structures and surfaces marked by the passage of time all evoke the fragility of existence, the weight of memory and the tension between the body and the forces that move through it.Within this dimension, the human figure is never directly represented; instead, it is suggested through its most essential gestures and deepest silences.

My works aspire to give form to a silent acoustics, where harmony becomes silence and sculpture transforms into an archive of a voiceless humanity, yet one charged with history.Matter becomes a witness, sound becomes a trace, and memory becomes form.