a second, 2021

Clay, Water

Dimensions variable 

作品是為"One Last Time" 音樂會以藝術體驗為主的紀念品。音樂會的主題為「瞬間」，我參照了音樂人在冰島手執冰鑽感到患得患失的故事，創作了約200個瞬間。我以時間作媒介，我嘗試以冰捉緊泥與水溶化的一瞬，把泥瓦解的時刻凝結，透過得到即失去的矛盾來訴說他與冰鑽的故事、惘然若失的感覺。作品在離開冰櫃，與觀眾接觸的瞬間，冰便不再是冰了，泥境開始分離，呈現一刻世界崩塌的泥濘，為大家帶來一次限時的體驗。

 而怎樣把玩和欣賞就由觀眾自行選擇。到底是要立即捧到手上欣賞，讓手心的溫度加速它的溶去還是______？ 

“Sad, We can’t bring them home .”

It tells a story about the contradiction between gain and loss which is based on Heyson's Iceland experience of '' bring the ice home''

When the works left the freezer and come into the audience, the ice would be no longer ice, and the clay began to separate, presenting the muddy of the world collapsing in a second, bringing audiences a time-limited experience.

Just leave her alone

C e r a m i c s

 Just leave her alone《要無止境瘋癲地釣魚》 ,2021​

​Ceramics, motor

Dimensions variable 

指引：

有魚飛出來的話，請幫忙釣上新魚，讓他繼續旋轉至死。

​飛出來/跌進去/旋轉至死

​我們只是觀察者和協助者，

我們沒有任何的主導權。

The work was inspired by her childhood memories of toys. She reformed the old toys with the contradictory characteristics of ceramics and electronic accessories, both fragile and hard to imply the ruthless process of growing up.

Through making ceramics toys, Wan saw toys from a new angle as well as she was able to search for more possibilities of toy making. She reshaped toys and created a series of works from an adult perspective like Fishing pools, Bumper cars, etc.

Alone or not《獨與不獨》

C e r a m i c s

 Alone or not《獨與不獨》,2020​

​ ​Ceramics, xuan paper, electronic device 

Dimensions variable 

「我糾結了很久，

孤獨與否的矛盾終究是不是一個宿命？

就如我渴望被人理解卻又不想被眾人理解 。

又如我想一人而又不想一人。」

 《獨與不獨》是一系列由紙泥包裹乾花燒製而成的陶瓷裝置。這些轉動的花器是來自尹穎琪對獨處的糾結。她將她在海外交流時的獨處時刻記錄下來，以感應裝置來展示獨自一人時的矛盾，當中重現了日記的細節並重塑當時作伴的五盆花卉，亦以花作媒介盛載日記內的心情。

 到底文字中一筆一劃是想被閱讀還是不想被讀？

這是一個你追我躲的遊戲，你走近我移動，而此疑惑將透過與觀眾互動來找出解答。

 "I have been struggling for a long time.

whether the contradictions in the world are destined or not,

whether I want to be alone or not ."

 "Alone or not" is a series of ceramic installation made of paper clay technique on dried flowers. These devices are about the struggle when Wan Wing Ki, Vicky faced her solitude. She recorded the solitary moments while she was studying abroad. Wan displays the contradictions of being alone through a motion sensor device and used the flower as the media to reflect her feeling. The five plants and the sentences selected from her diary shows the situation and emotion when she was alone. 

 Do the words want to be read or not?  This is hide-and-seek, Once you come closer, I move, then you could finally find out the clue.