Bridget Riley
New Paintings and Gouaches
Timothy Taylor Gallery / Karsten Schubert / Ridinghouse, London, 2006
Hand-signed by Bridget Riley on the title page.
Published to accompany Bridget Riley’s 2006 exhibition New Paintings and Gouaches at Timothy Taylor Gallery, London, this publication focuses on the artist’s celebrated curvilinear paintings and gouaches.
The exhibition marked Riley’s first UK presentation following her major Tate Britain retrospective in 2003 and brought together a new body of works exploring colour, movement and spatial rhythm. Timothy Taylor describes these paintings as extending Riley’s investigation of visual sensation through interlocking, flowing forms and carefully controlled colour relationships.
The catalogue includes an essay by Paul Moorhouse and more than twenty full-colour illustrations documenting this important period in Riley’s practice.
This copy is especially collectible because it has been personally signed by Bridget Riley on the title page.
Details
Bridget Riley
New Paintings and Gouaches
Timothy Taylor Gallery / Karsten Schubert / Ridinghouse
London, 2006
First edition
Hardcover
48 pages
21 colour illustrations
Essay by Paul Moorhouse
ISBN 9781905464012
Approx. 29.5 × 25 cm
Signed
Hand-signed by Bridget Riley on the title page.
Condition
Very good condition with light age-related wear to the cover and edges. Please refer carefully to the photographs, which show the actual copy offered for sale.
A desirable signed exhibition publication for collectors of Bridget Riley, Op Art, British post-war abstraction and artist-signed books.
One signed copy available.
Bridget Riley
New Paintings and Gouaches
Timothy Taylor Gallery / Karsten Schubert / Ridinghouse, London, 2006
Hand-signed by Bridget Riley on the title page.
Published to accompany Bridget Riley’s 2006 exhibition New Paintings and Gouaches at Timothy Taylor Gallery, London, this publication focuses on the artist’s celebrated curvilinear paintings and gouaches.
The exhibition marked Riley’s first UK presentation following her major Tate Britain retrospective in 2003 and brought together a new body of works exploring colour, movement and spatial rhythm. Timothy Taylor describes these paintings as extending Riley’s investigation of visual sensation through interlocking, flowing forms and carefully controlled colour relationships.
The catalogue includes an essay by Paul Moorhouse and more than twenty full-colour illustrations documenting this important period in Riley’s practice.
This copy is especially collectible because it has been personally signed by Bridget Riley on the title page.
Details
Bridget Riley
New Paintings and Gouaches
Timothy Taylor Gallery / Karsten Schubert / Ridinghouse
London, 2006
First edition
Hardcover
48 pages
21 colour illustrations
Essay by Paul Moorhouse
ISBN 9781905464012
Approx. 29.5 × 25 cm
Signed
Hand-signed by Bridget Riley on the title page.
Condition
Very good condition with light age-related wear to the cover and edges. Please refer carefully to the photographs, which show the actual copy offered for sale.
A desirable signed exhibition publication for collectors of Bridget Riley, Op Art, British post-war abstraction and artist-signed books.
One signed copy available.